This page represents a little about me
and my musical history. I don't intend it to be too self indulgent. Creating
and maintaining this web page is a good excuse to to re live memories that
are very important to me. The following text are excerpts from mails I
sent to certain other 808 fans in friendly discussion of our musical experiences
(Thank you Sid and Steve:). I guess I considered them fruity enough to
include on my page. And besides, I had to update the site with something
new!
"Back
in 1984 I remember the whole breakdance thing exploding in Australia. I
just got right into it because it was nothing like I'd heard before. Of
course back then, hip hop was still closely allied with funk and neo disco
sounds... not like the gangsta stuff today. There were a good few Kraftwerk
rip offs too as I remember and I even tried 'The Robot' and various forms
of inelegant backspin before I decided that maybe dancing wasn't my thing
after all and just enjoyed the music. It went from there. I remember hearing
Herbie Hancock's 'Rockit' for the first time and freaked out! Those
crazy beats and scratches! It just made my head spin... for a few years
after that I got into anything electronic I could find... usually sporadic
patches of electro that made it into the Top 40 countdown, like 'Axel F'.
So it was Art of Noise and Pseudo Echo for a few years before
my English cousins arrived in 1988 for a holiday and introduced me to House
music, as they termed it... they had with them a recent, tape recording
of such classics as 'Rok Da House' (Beatmasters) and 'Doctor in
the House' (Coldcut)... I believe it was actually Kiss FM. Again
I was just thrown for a loop.
As
the years passed I just became more aware of the electronic scene and it
was played more actively on the radio. By the time 'Pacific' was released
I was ready for something new though and it really did blow my mind! Just
the chords and sentiment involved! It was like aural deja vu in a sense,
I found the sounds THAT powerful!
Brit
Techno advanced and I got into LFO and Orbital too...The
'AI' series on Warp came out and I was very heavily into it, as well as
the Detroit sounds of Derrick May and Juan Atkins... United
State 90 was the first CD I ever bought so it has rather a long and very
played history. Ex:El, was released and my friend and I were on top of
the world, having just started university. We spent hundreds on dance and
electro and 808 State... as much as we could find in the imports
anyway. It was a fine time in our lives and I have very golden memories
of it all. 808 State are very much a part of those memories. I remember
hearing 'Magical Dream' on 90 for the first time and I knew then that 808
State were really set apart musically from everything else at the time.
Being
in Oz though, we could never get hold of the very early stuff. I was the
only one in our little group to even get hold of Utd State 90, so I considered
myself lucky.
It
seems as though we both associate 808 with a very special part of our lives.
I'll never forget it and 'Pacific' still remains right on top of my all
time list, closely followed by the likes of 'LFO' and 'Chime'!"
"We both associate 808 with a golden part of our journey into adulthood. I remember when vinyl was being phased out. You could still find 'Pacific' on record and then suddenly, as if it happened overnight, CD singles were all the rage and I got hold of Utd. State 90 and 'Sadeness' by Enigma...(remember that one?). I too got into The Orb for a while. I still think 'Adventures in the Ultraworld' is a top ambient album. And I do remember my friend and I, obsessed by electronic dance music as we always have been, tromping into a CD store and listening to 'Chill Out' by KLF. At the time I didn't think much of it... too wishy washy I guess, and I had this thing against too many country and western sounds. Irony is, now I'd proabably proudly display that album. Tastes do mellow don't they!
When
Warp pioneered the whole concept of 'Intelligent' electronica I thought
all my Christmases had come at once and AI 1 seemed a brilliant album to
begin with. Even the cover bugged me out!
"Aphex
Twin... who is this guy...? He's only how old?"... we couldn't believe
Richard D James and his sounds... spooky and often difficult to endure
it seemed then that it was the only way to go. Then 'Bytes' by the Black
Dog... Hell that's really a great album I believe. So complete in so
many ways. There aren't many albums like that one! I think even Graham
Massey agreed with that in one interview, calling it a "proper album".
It all kinda spun along and I finally decided that AI wasn't the way to
go. Progressive House didn't really catch me and AI was sounding too serious...
not enough down to earth beats I thought in the end and too concerned with
some form of hard to reach 'inner space'.
I
fused my musical ideas with warmer sounds, almost in reaction to the cold
sounding AI craze... even Detroit techno explored the warmer sounds and
Underground Resistance epitomised it in 'Jupiter Jazz'.
808
State have always been in there somewhere whirring away at their own designs."